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-2hr 12m video tutorial
-3 psd files
- brushes used
-reference images used
-complimentary time lapse video of warm up painting
I paint two complete scenes with two different approaches. In the first part I’ll use photo manipulation and paintovers, in the second part I paint from scratch.
Ill cover layering, brush techniques, and lighting while using reference. Also show a few style alterations of these scenes.
Feel free to contact me if you have any questions!
Fundamentals of Composition VIDEO Lecture
A 30 minute lecture breaking down the complexities of the rules and principles and boiling it down to a simple 3 step procedure that I generally use in my work. This is ideal for beginners or anyone struggling with designs in composition.
After the lecture is 15 additional minutes of tips and tricks to successful image making not directly covered in the lecture.
the Package includes :
-one 45min video lecture
-a value combos cheat sheet (not made by me)
-4 color thumbnail image strips from some of my paintings ( see how i started some of my most complex images out.)
This was created for a game I have been working on. Still early in development follow it here for updates:https://www.facebook.com/pages/Novus/505901366184854?fref=ts
On Design and Inspiration video (digital Painting)
My gallery: http://tyleredlinart.deviantart.com/?rnrd=71877
My facebook: https://www.facebook.com/Tyler.Edlinart
my store: http://society6.com/TylerEdlinArt
More February sketches
I had a good few weeks in between my contract work so i was sketching everyday at one point spending 1-2 hours on these. I would say they have no perspective or soul just getting ideas out quick.
My facebook: https://www.facebook.com/Tyler.Edlinart
A personal concept. A metal fortress that stands alone in the center of the misty lake. Ill post more info on this when i have a give more of a context.
New Painting for the Dark & Day Series.
Icy crags cling to walls of Eies like the desperate the corpses of giants. The Dark End of Earth is a harsh wasteland where steampunk city bustle with machines and aliens, preparing for the inevitable war with the Day. Students from the Windom Academy brave the cold to study what life can still survive out in the Dark…
Visit www.darkandday.com to explore a world of machines versus magic!
I have included a few process shots showing how I created this painting.
Are you an artist that has trouble conveying your ideas onto the screen or canvas? Do your compositions need improving? If so the reason may derive from an early stage that many beginners overlook or skip altogether.
It is likely this stage is the thumbnail sketches and its generally recommended to fully explore your ideas here so they blossom into their full potential. These small sketches are really just doodles that may vary in detail that are usually 1-3inches in size.
Why so so small? Well they are small because their purpose is to explore multiple ideas quickly. Also by keeping them small and loose its likely anyone creating them will not get overly attached to one idea. This is a common mistake seen more frequently in less experienced or casual painters and illustrators. What happened to me early on is I would have an idea in my head and wanted to paint it out as clearly and quickly as possible. Getting the image out of my head before it would become to foggy was the only thing I was concerned with and not taking the time to plan it out carefully.
So for example in your head, there is a knight battling a monster. Do you draw it out and then begin to paint it? Well you can BUT a better approach would be do draw that one scene from several angles exploring multiple compositions eventually choosing the best one. Right? After all, authors write several revisions and film directors shoot multiple takes on a scene for a reason. The odds are just that my FIRST attempt to visualize a concept will NOT be perfect.
If I can get a sheet of thumbnails and narrow that down to one to three ideas Ill be satisfied and make sure they read well enough so ill know what Im looking at the next day or week. As a planning tool they wouldn’t be very useful if they are unreadable so I prefer to keep them as simple as possible. If a drawing looks good 2 inches wide it will look fantastic when it comes to the finished size. Its important to note this doesn’t apply to the opposite. I feel its a proven test that if an image isn’t distinguishable as a thumbnail with shapes and silhouettes its not that strong of a composition.
There’s a few techniques I use regularly to help generate fresh ideas. After drawing a sheet of thumbnails rotate them vertically and horizontally then use a new layer or tracing paper to pick out more shapes and silhouettes creating a new batch of compositions. Another Strategy is that if I’m Having trouble visualizing the space on the paper then I prefer to draw out a horizon line first . Doing this will show me the eye level of the viewer and aid in sensing the depth and angle of a scene.
Remember draw thumbnails with what your comfortable with, pen, pencil, marker, or digital. Anything can work. Just keep them light, fast and fun.
See more examples below!
Some early sketches for a personal project. Still need to flesh this barren wasteland out a bit more.